News
News
I will be at Goldsmiths in London on the 8th of May to talk about my forthcoming book, John Cage, Gilles Deleuze, and the Practice of Experimentation. You'll also be able to view this talk on Zoom.
My review of two exhibitions taking place at Fruitmarket in Edinburgh - Ilana Halperin's 'What is Us and What is Earth' and 'Where we meet land: environment and ecology in artists’ moving image' - has been published in Burlington Contemporary.
Past
My article 'The degradation of music’s object: Deleuze and Guattari’s diagrammatics and musical semiotics' was recently published in Sign Systems Studies, in an excellent special issue focused on Deleuze & Guattari and semiotics.
I have a chapter on Deleuze and music in The Deleuzian Mind, an excellent wide-ranging survey of themes in Deleuze's thought edited by Henry Somers-Hall and Jeff Bell and published by Routledge.
You can read my review of the exhibition 'Electric Dreams: Art and Technology Before the Internet', currently showing at Tate Modern, in the May issue of The Burlington Magazine.
In July I will be at Kings College London to present my paper 'At the borders of experimentation: histories and territories of "experimental music" ' at the annual conference of the Society for European Philosophy.
In April I will be at the University of York to present my paper ' "Divisiveness is being weakened by technology": John Cage and the electrical infrastructure' at the Association for Art History Annual Conference. My paper is part of the session 'The Infrastructural Turn? Alternative Infrastructural Imaginaries of/through art and curatorial practices'.
In March I will be at the University of Sheffield to present my paper ' "All sound sources in the world" or "the clutter of the unkempt forest": Two forms of systematicity in the music of John Cage' at the conference 'Composing (with) Systems'.